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Exhibition: ‘The Classical Nude and the Making of Queer History’ at the ONE National Gay & Lesbian Archives at the USC Libraries, Los Angeles

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Exhibition dates: 29th June – 7th September 2014

 

These were the only press images I could get for this exhibition. I would have liked to have seen many more!

Marcus

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Many thankx to the ONE Archives for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image.

 

 

Johann Joachim Winckelmann. 'Histoire de l'art de l'antiquité' 1781

 

Johann Joachim Winckelmann
Histoire de l’art de l’antiquité
1781
Leipzig: J. G. I. Brietkopf

 

Winckelmann was murdered in Trieste on June 8, 1768. The frontispiece to this French translation of the History presents an allegory of his death designed by his friend, the painter Adam Friedrich Oeser (1717-1799)

 

George Platt Lynes. 'Nicholas Magallanes and Francisco Moncion in Balachines's Orpheus II' 1948

 

George Platt Lynes
Nicholas Magallanes and Francisco Moncion in Balachines’s Orpheus II
1948
Gelatin silver print
8 x 10 inches
Private Collection

 

Edwin Townsend. 'Tony Sansone' c. 1950s

 

Edwin Townsend
Tony Sansone
c. 1950s
Gelatin silver print
9.5 x 7.5 inches
Collection of the Leslie-Lohman Museum of Gay and Lesbian Art, New York

 

James Bidgood. 'Pan' 1965

 

James Bidgood
Pan
1965
Digital C-print
22 x 22 inches
Courtesy of the artist and ClampArt, New York

 

 

“Organized by the Leslie-Lohman Museum of Gay and Lesbian Art and curated by scholar Jonathan David Katz, The Classical Nude and the Making of Queer History investigates how the visual iconography of Greco-Roman culture has acted as a recurring touchstone in the development of same-sex representation. Within the canon of western art history, images of the classical past have acted as a sensitive barometer for the shifting constructions of what we today call LGBT or queer culture. The classical past is queer culture’s central origin myth, and tracing how this tradition has been utilized by queer artists over time offers far more information about the cultural context that appropriates the classical than it does about that past itself.

Examining the classical nude across centuries of artistic production, this exhibition considers four major periods: Antiquity, the Renaissance, the nineteenth century, and the modern/contemporary period. Drawn almost exclusively from the collections of the Leslie-Lohman Museum of Gay and Lesbian Art in New York, the objects are diverse in medium and format. While all periods are represented, the majority of the works illustrate how artists in recent history have utilized classical iconography and themes to explore same-sex desire. It is in the recent past, as artists reimagined a classical legacy that had not accounted for diverse gender and racial perspectives, that we find queer culture’s relationship to the classical tradition at both its most complex and dynamic.

This presentation at the ONE Gallery is a condensed preview of a show to open at the Leslie-Lohman Museum in October 2014. Containing over ninety-five objects, the exhibition in New York will include works by Albrecht Dürer, Michelangelo, Jacopo Pontormo, Andrea Mantegna, F. Holland Day, Romaine Brooks, Claude Cahun, Herbert List, Jess, Paul Cadmus, and Pierre et Gilles, in addition to the works presented here, and will be accompanied by a scholarly exhibition catalogue.”

Text from the ONE Archives website

 

Alonze James Hanagan (aka Lon of New York) 'Howard Hunter' c. 1950s

 

Alonze James Hanagan (aka Lon of New York)
Howard Hunter
c. 1950s
Gelatin silver print
13.25 x 7 inches
Collection of the Leslie-Lohman Museum of Gay and Lesbian Art, New York

 

Artist unknown. 'Replica of The Warren Cup' original c. mid-1st century AD

 

Artist unknown
Replica of The Warren Cup
original c. mid-1st century AD
Silver
Unnumbered issue from edition of twelve
Collection of the Leslie-Lohman Museum of Gay and Lesbian Art, New York. Image of the original courtesy of The British Museum

 

Bruce LaBruce with Nina Arsenault. 'Tripartite Goddess I, II, III' 2011

 

Bruce LaBruce with Nina Arsenault
Tripartite Goddess I, II, III
2011
Archival photograph
Signed on verso 1/10
18 x 28 in.

 

Austin Young. 'Dani Daniels, Los Angeles' 2011

 

Austin Young
Dani Daniels, Los Angeles
2011
Archival inkjet print
Edition 1/10

 

Wilhelm Von Gloeden. 'Untitled' 1895

 

Wilhelm Von Gloeden
Untitled
1895
Albumen silver print
9 x 6.75 inches
Collection of Sinski/McLaughlin

 

Friedrich O. Wolter. 'Drei Grazien' (Three Graces) Date unknown

 

Friedrich O. Wolter
Drei Grazien (Three Graces)
Date unknown
Photograph
5.5 x 3.5 inches
Collection of the Leslie-Lohman Museum of Gay and Lesbian Art, New York

 

Del LaGrace Volcano. 'The Three Graces, Jasper, Suzie and Gill, London' 1992

 

 

Del LaGrace Volcano
The Three Graces, Jasper, Suzie and Gill, London
1992
Digital C-print
30 x 23.5 inches
Collection of the Leslie-Lohman Museum of Gay and Lesbian Art, New York

 

 

ONE Archives Gallery & Museum
626 North Robertson Boulevard
West Hollywood, CA 90069

Opening hours:
Thursday: 4 – 8pm
Friday, Saturday and Sunday: 1pm – 5pm
Closed Monday through Wednesday

ONE Archives website

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Filed under: American, american photographers, beauty, black and white photography, colour photography, digital photography, documentary photography, English artist, exhibition, existence, gallery website, intimacy, light, London, memory, photographic series, photography, portrait, psychological, reality, sculpture, space, time, works on paper Tagged: Alonze James Hanagan, Alonze James Hanagan Howard Hunter, Antiquity, Austin Young, Austin Young Dani Daniels Los Angeles, Bruce LaBruce, Bruce LaBruce Tripartite Goddess, classical iconography and same-sex desire, Dani Daniels Los Angeles, Del LaGrace Volcano, Del LaGrace Volcano The Three Graces, Edwin Townsend, Edwin Townsend Tony Sansone, female nude photography, femininity, Francisco Moncion, Friedrich O. Wolter, Friedrich O. Wolter Drei Grazien, Friedrich O. Wolter Three Graces, gay history, George Platt Lynes, George Platt Lynes Nicholas Magallanes and Francisco Moncion, German artist, german photographer, Greco-Roman culture, Histoire de l'art de l'antiquité, homosexuality and photography, Howard Hunter, James Bidgood, James Bidgood Pan, Johann Joachim Winckelmann, Johann Joachim Winckelmann Histoire de l'art de l'antiquité, Lon of New York, Lon of New York Howard Hunter, los angeles, male nude, male nude photography, masculinity, Nicholas Magallanes, Nicholas Magallanes and Francisco Moncion in Balachines's Orpheus II, Nina Arsenault, nude photography, ONE Archives, ONE National Gay & Lesbian Archives, Orpheus II, queer culture, Queer History, same-sex desire, same-sex representation, The Classical Nude, The Classical Nude and the Making of Queer History, the modern/contemporary period, the nineteenth century, the Renaissance, The Three Graces, The Warren Cup, Tony Sansone, Tripartite Goddess, USC Libraries, visual iconography of Greco-Roman culture, Wilhelm von Gloeden, Wilhelm Von Gloeden Untitled 1895

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